eta abstraction - définition. Qu'est-ce que eta abstraction
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Qu'est-ce (qui) est eta abstraction - définition

ARTIST ASSOCIATION
Abstraction-Creation; Abstraction Création; Abstraction Creation; Abstraction-création; Abstraction-creation
  • [[Theo van Doesburg]], c. 1929–30, ''Study for Arithmetic Composition'', pencil, Indian ink and gouache on graph paper, 12 × 12 cm, [[Kröller-Müller Museum]]

eta abstraction      
data abstraction         
TECHNIQUE FOR ARRANGING COMPLEXITY OF COMPUTER SYSTEMS
Abstraction in object-oriented programming; Abstraction (programming); Abstraction (computer programming); Data abstraction; Control abstraction; Abstraction (computing); Abstraction (software); Abstraction (software engineering)
<data> Any representation of data in which the implementation details are hidden (abstracted). Abstract data types and objects are the two primary forms of data abstraction. [Other forms?]. (2003-07-03)
Eta Hentz         
HUNGARIAN-BORN FASHION DESIGNER
Madame Eta
Eta Valer Hentz (1895–1986) was a Hungarian-American fashion designer active in the US from the 1920s to the 1940s. Mainly known as Madame Eta, she was particularly known for flattering ready-to-wear clothing inspired by Ancient Greece and the Middle Ages.

Wikipédia

Abstraction-Création

Abstraction-Création was a loose association of artists formed in Paris in 1931 to counteract the influence of the Surrealist group led by André Breton.

Founders Theo van Doesburg, Auguste Herbin, Jean Hélion and Georges Vantongerloo started the group to foster abstract art after the trend turned to representation in the 1920s.

A non-prescriptive group of artists were involved, whose ideals and practices varied widely: Albert Gleizes, František Kupka, Piet Mondrian, Jean Arp, Marlow Moss, Naum Gabo, Alberto Magnelli, Barbara Hepworth, Ben Nicholson, Kurt Schwitters, Wassily Kandinsky, Wolfgang Paalen, Théo Kerg, Taro Okamoto, Paule Vézelay, Hans Erni, Bart van der Leck, Katarzyna Kobro, Leon Tutundjian and John Wardell Power.

Five Cahiers (yearbooks) were published between 1932 and 1936 entitled Abstraction-création: Art non-figuratif; a reprint edition of the Cahiers was published by the Arno Press, New York in 1968. Art exhibitions were also held throughout Europe.